Arts in Medicine: Three American Masterpieces as Tools for Healing By Zoe Fortin Art can heal. Perhaps no one knows this better than the patients

Alfred Maurer: the First American Modernist Painter Here, we look at “Still Life with Pear,” a striking example of Maurer’s late Cubist still lifes By

Women’s History Month Can you name 5 women artists? By Zoe Fortin First created as “Women’s History Week” in 1981, the event was extended into

Who Was Henry Koerner? Five facts you should know about the artist By Zoe Fortin Henry Koerner lived a life marked by war and loss

The Art Show 2019 Presentation Preview Join us February 27 – March 3, 2019, at the Park Avenue Armory We are pleased to be exhibiting

Born into Slavery, Joshua Johnson Became One of the First African-American Artists to Earn a Living as a Portraitist Learn more about this work, which

The Two Intense Years in New York City that Transformed Charles Biederman’s Work The artist’s work blended the influence of Cubism, Surrealism, and Abstraction By

Meet Jack Tworkov: Artist, Educator and Critic In this essay, we look at his life and career By Valerie G. Stanos Jack Tworkov was a

Discover Kenneth Noland’s Early Work “Circle” Noland’s target paintings have been widely regarded as quintessential specimens of Color Field Painting By Emelia Scheidt Kenneth Noland

Michael Goldberg’s Dedication to Abstract Painting Learn about the artist’s experimentations with abstraction and beyond By Emelia Scheidt Born in the Bronx in 1924, Michael

Charles White’s Depiction of Slavery is One of Dignity Learn more about this iconic work and what inspired the artist By Emelia Scheidt Growing up

Charles Alston Brought His Love of Jazz to the Canvas We look at how the artist expressed the rhythm of jazz music in “Dancers” By

George L.K. Morris’s Use of Abstraction to Convey the Urgency of World War II Get to know the artist By Emelia Scheidt George L.K. Morris

“Vertical Abstraction”: A Fascinating Early Work by Norman Wilfred Lewis Below, we look at how the artist combined his interest in vertical compositions with a