Jonathan Boos
El Anatsui's tapestry made from aluminum and Cooper wire. Featuring golds, red, greens, blues, and yellows

El Anatsui

Ghanaian, b. 1944

Another Plot, 2007

Aluminum and copper wire

67 ¾ x 100 ½ inches

 

SOLD

El Anatsui's tapestry made from aluminum and Cooper wire. Featuring golds, red, greens, blues, and yellows
Detail of bright red, yellow, blue and white artwork by Sam Gilliam. The shape if the composed of nine sides

"King of Prussia" Sam Gilliam

In this work by Norman Wilfred Lewis, the panel is bathed in a rich, ambient field of blue

"Journey" by Norman Lewis

Detail of a work by Alfred Jensen using bright red, yellow and blue colors

Browse available works
  • Splash Page Test
  • Homepage duplicate for testing
  • Boos Knows | Learn more about our artists
  • “The Red Rook” by Gertrude Abercrombie
  • “Family” by Charles Henry Alston
  • “Dancers” by Charles Henry Alston
  • “Untitled (Couple)” by Charles Henry Alston
  • “African Theme III” by Charles Henry Alston
  • “Another Plot” by El Anatsui
  • “Beholden” by Benny Andrews
  • “Untitled, S.446 (Hanging, Seven-Lobed Single-Layer Continuous Form)” by Ruth Asawa
  • “Untitled, S.621 (Hanging, Six-Lobed, Multi-Layered, Interlocking Forms with a Sphere in the Third Lobe)” by Ruth Asawa
  • “The Wharf” by John Atherton (American, 1900–1952)
  • “Moonlit Desert” by George Copeland Ault
  • “Study in Blues” by Milton Avery
  • “Bird & Sun” by Milton Avery
  • “Pink Tree” by Milton Avery
  • “Sheep and Chickens in a Landscape” by Milton Avery
  • “Pelicans by Southern Sea” by Milton Avery
  • “Fisherman and Wife” by Milton Avery
  • “Seated Fat Man” by Leonard Baskin
  • “Man with Pomegranate” by Leonard Baskin
  • “Rusting Red Car in Kuau” by Jean-Michel Basquiat
  • “Manhattan Suite” by Romare Bearden
  • “Three Men” by Romare Bearden
  • “A Symbolic Pageant of Afro-American History” by Romare Bearden
  • “Still Life” by Thomas Hart Benton
  • “Portrait of a Laughing Boy” by George Wesley Bellows
  • “Easter Snow” by George Wesley Bellows
  • “Head of Man with a Red Nose” by George Wesley Bellows
  • “In the Elevated” by Theresa F. Bernstein
  • “Conceptual Model for General Motors Tech Center Screen” by Harry Bertoia
  • “Cones” by Harry Bertoia
  • “Maquette for The Comet” by Harry Bertoia
  • “Untitled” by Harry Bertoia
  • “Untitled” by Harry Bertoia
  • “Conceptual Model for General Motors Tech Center Screen” by Harry Bertoia
  • “Bush” by Harry Bertoia
  • “Sonambient (40 rods)” by Harry Bertoia
  • “Untitled (Straw Piece)” by Harry Bertoia
  • “Bush” by Harry Bertoia
  • “Bush” by Harry Bertoia
  • “Untitled (Welded Form)” by Harry Bertoia
  • “Bush” by Harry Bertoia
  • “Bush” by Harry Bertoia
  • “Untitled (20 Rods)” by Harry Bertoia
  • “Bush” by Harry Bertoia
  • “Bush” by Harry Bertoia
  • “Energizing” by Harry Bertoia
  • “Bush” by Harry Bertoia
  • “Bush” by Harry Bertoia
  • “Dandelion Sprig” by Harry Bertoia
  • “Untitled” by Charles Biederman
  • “Untitled 35-1” by Charles Biederman
  • “Untitled (May 30/36)” by Charles Biederman
  • “Abstraction” by Charles Biederman
  • “Structurist Relief, Red Wing Number 1” by Charles Biederman
  • “Cityscape, April” by Albert Bloch
  • “Pagoda (Red Tank West Quincy)” by Oscar F. Bluemner
  • “Study for the Hall of Medical Sciences Mural at the 1939 World’s Fair in New York” by Ilya Bolotowsky
  • “Asymmetric Diamond” by Ilya Bolotowsky
  • “Dancing Sunlight” by Charles Burchfield
  • “September Wind” by Charles Burchfield
  • “Winter Sunlight and Shadow” by Charles Burchfield
  • “The Parade” by Charles Burchfield
  • “Life of the Spirit is Elevated by Pain” by Emerson Burkhart
  • “Notturno Bologna” by Paul Cadmus
  • Three Standing Mobiles by Alexander Calder
  • “Star Gazer” by Elizabeth Catlett
  • “Torso, Portrait of Joan” by Elizabeth Catlett
  • “Mother and Child” by Elizabeth Catlett
  • “Down the River” by Clarence H. Carter
  • “Girl in a Bonnet Tied with a Large Pink Bow” by Mary Cassatt
  • “Untitled (Surrealist Figure Composition)” by Federico Castellón
  • “Soundsuit” by Nick Cave
  • “Time is a River without Banks” by Marc Chagall
  • “The Blue Angel” by Marc Chagall
  • “The First Dance of Trees” by John Chamberlain
  • “Veronica’s Veil” by Federico Castellón
  • “After Daubigny” by Sir Winston Churchill, HON. R.A.
  • “Wheat Field Landscape” by John Rogers Cox
  • “Cityscape” by Francis Criss
  • “Theodore Roosevelt Memorial under Construction” by Francis Criss
  • “The Line” by Ralston Crawford
  • “Voyage to Africa” by José de Creeft
  • “Ballerine en tête de mort” by Salvador Dalí
  • “Landscape” by Allan D’Arcangelo
  • “Rue de l’Echaudé” by Stuart Davis
  • “Café, Place des Vosges” by Stuart Davis
  • “Greene Street” by Beauford Delaney
  • “Greenwich Village by Beauford Delaney
  • “Music Hall” by Stuart Davis
  • “Self-Portrait” by Edwin Dickinson
  • “Amityville” by Willem de Kooning
  • “Continuity” by Arthur Dove
  • “The Green House” by Arthur Dove
  • “Facescape” by Arthur Dove
  • “Untitled” by Arthur Dove
  • “Take Five” by Gary Erbe
  • “Saturday’s Children” by Philip Evergood
  • “Untitled No. 12” by John Ferren
  • “Titian Center” by Helen Frankenthaler
  • “Composition” by Suzy Frelinghuysen
  • “Behind the Curtain” by Jared French
  • “Shelter” by Jared French
  • “Cubist Construction” by Albert Gallatin
  • “Taking the Hurdles” by John R. Grabach
  • “White Still Life” by John Graham
  • “The King is Blacker than the Queen” by Balcomb Greene
  • “The Beach at Coney Island” by Sanford Robinson Gifford
  • “King of Prussia” by Sam Gilliam
  • “Untitled” by Michael Goldberg
  • “Two Blues” by Michael Goldberg
  • “Red Stripe” by Michael Goldberg
  • “The Last Apartment” by Michael Goldberg
  • “Untitled” by Jean Albert Gorin
  • “Bland” by Adolph Gottlieb
  • “The Gallants” by O. Louis Guglielmi
  • “Land of Canaan” by O. Louis Guglielmi
  • “Sisters of Charity” by O. Louis Guglielmi
  • “Family Singing” by Robert Gwathmey
  • “Berlin Series, No. 1” by Marsden Hartley
  • “Still Life” by Marsden Hartley
  • “The Canoe (Schiff)” by Marsden Hartley
  • “The Seashell” by Marsden Hartley
  • “Summer en Route, Moraine-Dogtown” by Marsden Hartley
  • “Off to the Banks” by Marsden Hartley
  • “Volendam Boy with Cigarette” by Robert Henri
  • “Excavation” by Stefan Hirsch
  • “Soup” by Joseph Hirsch
  • “Sounding Reveille” by Winslow Homer
  • “Concerto in Colours” by Hans Hofmann
  • “Presage” by Charles Howard
  • “Untitled” by Richard Hunt
  • “Jitterbugs II” by William H. Johnson
  • “Jitterbugs III” by William H. Johnson
  • “Portrait of Emma van Name” by Joshua Johnson
  • “Untitled” by Donald Judd
  • “The Chase” by Richard Hunt
  • “U.S. Musical Notes” by Otis Kaye
  • “Rose Arbor” by Henry Koerner
  • “The Sea” by Henry Koerner
  • “Under the Overpass” by Henry Koerner
  • “The Showboat” by Henry Koerner
  • “The Lovers” by Jacob Lawrence
  • “18. In all your intercourse with the natives, treat them in the most friendly and conciliatory manner which their own conduct will admit… –Jefferson to Lewis & Clark, 1803” by Jacob Lawrence
  • “The Carpenters” by Jacob Lawrence
  • “Nativity” by Jacob Lawrence
  • “Harlem Street Scene” by Jacob Lawrence
  • “Ambulance Call” by Jacob Lawrence
  • “Red Earth – Georgia” by Jacob Lawrence
  • “Harlem River” by Ernest Lawson
  • “Family Reunion” by Doris Lee
  • “Contemplating My Future” by Hughie Lee-Smith
  • “Seascape” by Hughie Lee-Smith
  • “Blast Furnace #5” by Edmund Lewandowski
  • “Lifeboat” by Edmund Lewandowski
  • “Untitled (Vertical Abstraction)” by Norman Wilfred Lewis
  • “Journey” by Norman Wilfred Lewis
  • “Wallflowers” by Norman Wilfred Lewis
  • “Untitled” by Norman Wilfred Lewis
  • “Untitled” by Norman Wilfred Lewis
  • “Untitled” by Norman Wilfred Lewis
  • “Woman” by Norman Wilfred Lewis
  • “Pelagos (Thrown Draperies)” by David Ligare
  • “Irises, (The Sentinels)” by Helen Lundeberg
  • “Red Circle” by Louis Lozowick
  • “Seascape Fantasy, Maine” by John Marin
  • “New York Harbor” by John Marin
  • “Cubist Twin Head” by Alfred Henry Maurer
  • “Seated Woman (Portrait of Jeanne Blazy)” by Alfred Henry Maurer
  • “Still Life with Apple and Roll” by Alfred Henry Maurer
  • “Still Life With Pear” by Alfred Henry Maurer
  • “La maison de l’artiste à Giverny” by Claude Monet
  • “Loom II” by Joan Mitchell
  • “No. 82012” by Francois Morellet
  • “Invasion Barge” by George L. K. Morris
  • “Precision-Bombing” by George L. K. Morris
  • “Munition Factory” by George L. K. Morris
  • “Composition” by George L. K. Morris
  • “Recreation Pier” by Jerome Myers
  • “Circle” by Kenneth Noland
  • “Alligator Pears” by Georgia O’Keeffe
  • “Pink Spotted Lilies” by Georgia O’Keeffe
  • “Barn” by Georgia O’Keeffe
  • “Country Wedding” by Guy Pène du Bois
  • “Machine Composition” by Irene Rice Pereira
  • “Carousel in Paris” by Jane Peterson
  • “The Send-Off” by Alton Pickens
  • “Amish Letter Writer” by Horace Pippin
  • “The Holy Mountain II” by Horace Pippin
  • “Six O’Clock” by Horace Pippin
  • “Birmingham Meeting House III” by Horace Pippin
  • “Flowers with Four Doilies” by Horace Pippin
  • “Le Pont-Neuf, après-midi de pluie, 1re série” by Camille Pissarro
  • “Still Life With Pipe” by John Frederick Peto
  • “Still Life: Hunting Trophies, Red Fox Skin” by Alexander Pope
  • “Water Lilies” by Edward Henry Potthast
  • “Cove with Figures” by Maurice Prendergast
  • “Christmas Homecoming” by Norman Rockwell
  • “42nd Street (Times Square)” by Theodore J. Roszak
  • “The Broncho Buster” by Frederic Remington
  • “Young Girl Wearing a White Muslin Blouse” by John Singer Sargent
  • “Princess” by Tschabalala Self
  • “Tonight’s Dinner” by Zoltan Sepeshy
  • “Tracks 43” by Richard Serra
  • “Death on the Beach” by Ben Shahn
  • “May 5” by Ben Shahn
  • “Contemporary American Sculpture” by Ben Shahn
  • “Bather” by Ben Shahn
  • “Edge of Dusk” by Charles Green Shaw
  • “Conception” by Charles Green Shaw
  • “Equilibrium” by Charles Green Shaw
  • “Buildings in a Night Sky” by Charles Green Shaw
  • “Stacks in Celebration” by Charles Sheeler
  • “Theatre Scene” by Everett Shinn
  • “Lac Léman” by Paul Signac
  • “Tree and Landscape” by Charles Sheeler
  • “Barn Dance” by Clyde Singer
  • “Mill Workers” by Clyde Singer
  • “Red, White, & Black” by Esphyr Slobodkina
  • “Spitball” by Tony Smith
  • “In Apron Strings” by Elizabeth Sparhawk-Jones
  • “Dark Field” by Theodoros Stamos
  • “Ann Arbor” by Jack Steele
  • “Young Beauty in a White Dress” by Julius LeBlanc Stewart
  • “Untitled (Abstraction in White)” by John Bradley Storrs
  • “Tancredi et Erminia” by Bob Thompson
  • “Travel Tobey” by Mark Tobey
  • “The Helping Hand” by George Tooker
  • “Divers” by George Tooker
  • “Impromptu” by Helen Torr
  • “Red Man on Blue Horse with Dog” by Bill Traylor
  • “Bar Decoration I” by Jack Tworkov
  • “Orphan Man” by Vincent van Gogh
  • “Shutter Patterns in the Corner” by Robert Vickrey
  • “Study for Chinese Horoscope” by Charmion von Wiegand
  • “Abstraction” by Max Weber
  • “Interior” by Max Weber
  • “Soloist at Wanamaker’s” by Max Weber
  • “Man Reading” by Max Weber
  • “Oh, Mary, Don’t You Weep” by Charles White
  • “Our Land” by Charles White
  • “Goodnight Irene” by Charles White
  • “Honorably Discharged” by Gertrude Vanderbilt Whitney
  • “The Spirit of ’76” by Archibald M. Willard
  • “Medieval Chartres” by Hale Woodruff
  • “Untitled (Entrance 242)” by John Atherton
  • “Shell (Surrealist Landscape)” by John Atherton
  • “The Stairway” by George C. Ault
  • “Dutch Artist” by Leonard Baskin
  • “Introducing the Champion” by George Wesley Bellows
  • “View of Nassau, Bahamas” by Albert Bierstadt
  • “Two Rivers” by Peter Blume
  • “Untitled, New York, November 1935” by Charles Biederman
  • “A Prize Fighter and His Manager” by James Chapin
  • Evening by Charles H Davis
  • “Quetzacoatl” by Enrico Donati
  • “Pierrot” by Albert Bloch
  • “Fairy Hordes Attacking a Bat” by John Anster Fitzgerald
  • “Leaping Gazelle” by Marshall Fredericks
  • “Market Scene II” by Ablade Glover
  • “White Fish” by John D. Graham
  • “Land of Canaan” by O. Louis Guglielmi
  • “Excavation” by Stefan Hirsch
  • “The River” by Henry Koerner
  • “Makeup (Dressing Room)” by Jacob Lawrence
  • “Wild Boar” by Carl Milles
  • “Monument I (Washington)” by Irene Rice Pereira
  • “Opposition of Forms” by George Lovett Kingsland Morris
  • “The Acrobat” by Alton Pickens
  • “Red Scow” by Zoltan Sepeshy
  • “Meta-Mold” by Charles Sheeler
  • “At the Well” by Rudolf Swoboda
  • “Nursemaid and Baby at Gloucester, Massachusetts” by Martha Walter
  • “In the Orchard” by Andrew Wyeth
  • A Performance In Three Acts: American Entertainment In the Mid-20th Century
  • The Winter Show: An Exploration of Provenance
  • Home
  • The Old Site
  • “Harlequins” by Albert Bloch
  • “The Magazine Antiques” by David Brega
  • “Youth and Sunshine” by Edward Dufner
  • “Yellow Market Lanes” by Ablade Glover
  • “The Persistent Sea” by O. Louis Guglielmi
  • “The Mountain” by Helen Lundeberg
  • “Portrait of a Boy” by Albert Bloch
  • “Lilies and Other Flowers” by William Glackens
  • “The Artist’s Daughter” by Charles Sydney Hopkinson
  • “In the Garden” by Thomas Worthington Whittredge
  • “Red Ventilator” by Arthur Osver
  • “The Park Bench” by Anton Refregier
  • “Untitled” by Richard Pousette-Dart
  • “The Critics” by Gabriel Cornelius Von Max
  • “American Brook Trout” by Arthur Fitzwilliam Tait
  • “Walking in her Cape Coat” by Andrew Wyeth
  • “A Prize Fighter and His Manager” by James Chapin
  • “Interior and Exterior” by William Zorach
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